Immersive Lab
  • About
  • Works
    • Paléograph’
    • Seen
    • Multiple Bodies…
    • Les mains négatives
    • Connect
    • Coexistence
    • State Dependency
    • Zeta
    • Leikhēn
    • Sonorama
    • Half a Horizon
    • The Chemical Basis Of
    • Sozio-Natürlich
    • Rezonancija
    • Mirror
    • FORMBIT
    • trees
    • Star Chamber
    • Trails
    • Clocks and Clouds
    • Dolphy-Coltrane
    • Hyperborea
  • Artists
    • Cosa Mentale
    • Anne Dubos
    • Cocina & Sprenger
    • Tatar & Pasquier
    • Claudia Robles-Angel
    • Chikashi Miyama
    • Melody Chua
    • Nenad Popov
    • UC San Diego
    • Beaty & Glen
    • Bojan Milosevic
    • Florian Bogner
    • Ted Davis
    • Marcus Maeder
    • Terry McDermott
    • Pelayo Arrizabalaga
    • André Sier
  • Events
    • Paléograph’ 2020
    • AGORA 2017-2020
      • EPFL Exhibit Feb. 2020
      • Workshop Winter 2019
      • Workshop Fall 2019
      • EPFL Exhibit Sept. 2019
      • NIFFF Festival July 2019
      • Mapping Festival May 2019
      • Workshop Spring 2019
      • Workshop Spring 2018
      • Workshop Winter 2017
    • Gray Area 2015
      • Grey Area Workshop
      • Gray Area Exhibition
    • UC San Diego 2015
      • San Diego Project Class
      • San Diego Exhibition
  • Documentation
    • In the Press
    • Publications
    • Artist Documentation
    • Installation
    • VR-Internship

Documents

Mar, 24, 2020Posted in Uncategorized

A collection of documentation pages, publications and a sub project in VR are collected at he following links:

Artist Documentation

Installation Setup

Publications & Press

ImmersiveLab in VR

Yet immersion viewed from a human standpoint is achieved once our physiological, creative, intuitive, intellectual, and imaginative functions are engaged and transcend basic disruptions and distractions.
This immersion is not the escape offered by cinema or by the CAVE environment for 3D computer graphics, but is a multifaceted and active human experience of connection and communication that involves both internal and external dimensions.

Susan Kozel. Closer, Performance, Technology, Phenomenology. The MIT Press, Cambridge, Massachusetts, 2007. p.145

your location: Immersive Lab > Blog > Uncategorized > Documents

logo_icst
logozhdk_1-4bmHR_alpha
logo_SNF_bw
admin login
  • About
  • AGORA – Fall 2019
  • AGORA – Spring 2019
  • AGORA EPFL 50 years
  • AGORA events
  • AGORA Exhibition and Expert Panel Discussion
  • AGORA InfoViz – Fall/Winter 2019–2020
  • AGORA Mapping Festival
  • AGORA NIFFF Festival
  • AGORA Spring 2018
  • AGORA Winter 2017
  • Artist Documentation
  • Artists
  • Blog
  • Calendar 2017
  • Clocks and Clouds
  • Coexistence
  • collapse tester
  • Connect
  • Documentation
  • Dolphy-Coltrane
  • Events
  • FORMBIT
  • Gray Area
  • Gray Area Exhibition
  • Grey Area Workshop
  • Half a Horizon
  • Hyperborea
  • In the Press
  • Installation
  • Internship: Immersive Lab in VR
  • Leikhēn
  • Les mains négatives
  • Mirror
  • Multiple Bodies…
  • Open Call
  • Paléograph’ 2020
  • Publications
  • Rezonancija
  • San Diego Exhibition
  • San Diego Project Class
  • Seen
  • Sonorama
  • Sozio-Natürlich
  • Star Chamber
  • State Dependency
  • The Chemical Basis Of
  • Trails
  • trees
  • UC San Diego
  • Videos
  • Work Overview
  • Zeta

Rights of all materials on this website: Copyright © 2015-2021 by Zurich University of the Arts, Institute for Computer Music and Sound Technology